Description
Alan Sparhawk of Lows solo debut for Sub Pop is at once a bold new, electropopinfused adventure, and an extension of the innovation and experimentation that drove his work as a member of Low. It is his first album since the tragic 2022 loss of his wife and partner in Low, Mimi Parker. Alan will be touring the US with Godspeed You Black Emperor in November, 2024, following a series of dates in the UK and Europe. Alan and his solo work were the subject of a poignant Persons of Interest feature in The New Yorker in April, 2024. Recorded primarily by Alan at his home, with additional work and mixing by coproducer and young Minneapolis musician Nat Harvie. Description Alan Sparhawk has always been a prolific, protean musician. A restless soul eager to explore unfamiliar sonic and psychic terrain. Though hes obviously and justifiably bestknown for his thirty years as frontman of the legendary band Low, a look at Sparhawks many side projects across that same span of time shows him experimenting with everything from punk and funk to production work and improvisation. Low itself never settled for a set sound or approach. The band was always a collaborationa conversation, a romancebetween Sparhawk and his wife, Mimi Parker, who was the bands cofounder, drummer, colead vocalist, and its blazing irreplaceable heart. To take the journey from Lows hushed early work, through the tremendous melodies of their middle period, all the way to the late lush chaos of their final albums, is to witness heads, hearts, and spirits in an act of perpetual becoming. Parker passed away in 2022 after a long battle with cancer, and there is no question that WHITE ROSES, MY GOD is a record borne of grief. You can hear it in the title, as well as tracks such as Heaven, in which Sparhawk describes the afterlife, wrenchingly, as a lonely place if youre alone. You can sense it too in Sparhawks decision to create this thing entirely on his own every note, every lyric, every programmed beat. It would be reductive, even foolish, to see grief as the sole source or the final limit of this taut, brilliant, provocative, thrilling album, whose bold experimentation is powered by profound lyrics and propulsive beats. Can you feel something here Sparhawk asks on Feel Something. The line repeats over and over, evolving first into I want to feel something here and then Can you help me feel something here Meanwhile the musical means hes chosen to convey this messageespecially the pitchshiftermight seem at first like theyre making it harder to access that very something he wants us and himself to feel. Isnt the vocoder a barrier between us and the deep emotionality weve long associated with an Alan Sparhawk vocal Maybe, maybe not. Probably not. But even if it is, then its a barrier worth breaking and the music itself is the hammer. Sparhawk conjures forth the ghosts trapped inside these machines. WHITE ROSES, MY GOD is an exorcism whose purpose is not to banish the spirit but to set it free. In many ways WHITE ROSES, MY GOD feels like a hard break with the past, almost a debut. And yet theres incredible continuity with Sparhawks past work and his traditional ways of working. Hes pathbreaking, yet again, invested as ever in the endless process of becoming himself. As he puts it on Station I can please myself with the things I seek out. Us, too. We are lucky to be here to hear it as it happens.
