Description
After years spent looking out at landscapes and loved ones and an increasingly unstable world, Rolling Blackouts Coastal Fever have turned their gaze inward, to their individual pasts and the places that inform them, on their second fulllength, Sideways to New Italy.Led by singersongwriterguitarists Tom Russo, Joe White and Fran Keaney, the guitarpop fivepiece returned home to Australia after the relentless touring schedule that came following their critically regarded 2018 debut Hope Downs. Feeling the literal and metaphorical ground under their feet had shifted, the band began grasping for something reliable. For Keaney, that translated into writing pure romantic fiction and consciously avoiding the temptation of angsty breakup songs, while Russo looked north to a bizarre place that captured the feeling of manufacturing a sense of home when his own had disappeared.The New Italy of the new albumrsquos title is a village near New South Walesrsquo Northern Rivers ndash the area drummer Marcel Tussie is from. A blinkand youllmissit pitstop of a place with fewer than 200 residents, it was founded by Venetian immigrants in the late1800s and now serves as something of a living monument to Italians contribution to Australia, with replica Roman statues dotted like alien souvenirs on the otherwise rural landscape. The parallels to the way the band attempted to maintain connections and create familiarity during their disorienting time on the road was apparent to Russo. These are the expressions of people trying to find a home somewhere alien trying to create a utopia in a turbulent and imperfect world.The records geographic identity emerged from the band losing their grip on their own, whether that was through the pressure of touring, the dissolution of relationships, a frustrating distance from their daily lives ndash or some combination of all three ndash that came from being slingshotted all over the world, playing soldout headline tours and festivals including Coachella, Governors Ball, Primavera Sound, All Points East, and Pitchfork Music Festival. The notion of crafting, in Russorsquos words, ldquoa utopia of where your heartrsquos from,rdquo permeates Sideways to New Italy, in which early attempts at writing big, highconcept songs about The State of the World were abandoned in favor of love songs, and familiar voices and characters filter in and out, grounding the bands stories in their personal histories. Therersquos something comforting, too, in knowing the next time theyrsquore buffeted from stage to stage around the world, theyrsquoll be taking the voices of their loved ones with them, building a new totem of home no matter where they end up.nbsp
